Sunday, May 06, 2012

The No. 7 Train

Languages clash on engrossed cell phones
that are unmindful of public space.
Black and brown shoes rest in different pairs of legs;
Keep their distance like respectful strangers.

I keep my face down,
resist the view of the big city flying below;
For eyes can't reach where the mind is now:
Home.

Red manicured fingers tap iPhones;
When will fashion come natural to me?
Large studded earrings dangle music
from ear plugs and mock my loneliness.

I see shadows of gloom as bright white morning light
falls on sloped roofs and cars and Taco Bell;
No one told me that New York City looks
poor and lonely from the no. 7 train.

I am on the no. 7 train;
A long, long way from home.

-Gauri Gharpure
October 27, 2011


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Sunday, April 22, 2012

Heena tattoos, fridge magnets & more: A little bit of fun at the Columbia Journalism School

Know the feeling when you have been wanting to do something since long and it finally materializes? Well, I wanted to put mehendi on people's hands, spread the crafts stuff I make, and share Indian trivia with people.

Questions like, "What's this dot on your forehead?" or "What's this tattoo paste made of?" can lead to conversations that go deep into Indian cultural roots. So, this little Spring Fest celebration on the college walk of the Columbia University, Graduate School of Journalism, was worth sitting in the sun for hours on a lazy Friday.

The Society of Professional Journalists helped me put this together and the proceeds I could raise went to the SPJ. I will remember the excited girl who was delighted after putting a bindi on her forehead, or the old woman who loved the salwar kameez as the sweet highlights of my *Fulbright experience.


Putting Mehendi on the hands of an Australian exchange student 

For those who have been following this blog for long, you probably know I love to spend midnight hours with scissors and papers, glue and threads, beads and needles. This time around, finding time for my pet passion was an ambitious juggle between school assignments, long readings pulped with statistics on the poor, the homeless and the drug crisis of the 90s, a Harvard Business School case on LinkedIn and professional networking sites, job hunting, and more, and more. But it was worth it. This is the kitchen table in the wee hours of Friday:


That colorful table with scissors and scraps :) 

 I made fridge magnets, something I have wanted to do since years after I saw hobby ideas on How About Orange's site. Then, there was the staple bookmarks and cards. I love to mark my readings with these bookmarks; in school I used to copy-write stunning paragraphs and poems by my favorite authors on the back of the bookmarks and get high on good writing just by flipping the bookmark over. Don't you think bookmarks are perfect little non-intrusive presents for friends young and old? And the cards, they liven up the long letters sent by snail mail.


 Some bookmarks and fridge magnets

I got mehendi cones from - no two cents for guessing - from Patel Brothers in Jackson Heights. They have a mind-boggling range of Indian products, so many desi items, sometimes I feel even a store back in Ahmedabad, India, would be put to shame. These were very good cones, it was an absolute pleasure to put mehendi with these. And Lyuda, who's a graduate Biology student with an interest in neuroscience, she loved it. In fact, she was the first person to come by the table, go back to get cash, and actually linger around while I finished decorating someone's hand. Time is such a precious commodity in NYC and that patient wait really meant something to me.

Owly Images
  
Lyuda loves the mehendi!

Starting with the artsy stuff, I plan to go the tummy route now. What better way to make India come alive in NYC than cooking some spicy (OK, not-so-spicy, to suit the taste buds here) Indian food? Next week I plan to make deep-fried pastries with potato-peas filling: samosas :) 

*The DEADLINE for the 2013 Fulbright scholarships is July 15. Go to the USIEF site for details.  


 

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Tuesday, April 03, 2012

Shokhiyon mein: Prem Pujari, a song translation



A man in a khaki shirt with a bright red jacket balances a butterfly net on his shoulders and flicks his muffler in place as he walks to wild yellow flowers. A red chiffon stole coyly sneaks into sugarcane bushes. With a cerebral twitch that he made into a style statement and his signature tilted hat, he continues looking for his lady love. He finds her after she hits him with a twig and jumps down to him from her perch on a haystack, skinning sugarcane with her teeth. Meet Bollywood actors Dev Anand and Waheeda Rehman as they take romance to another level in the song ‘Shokhiyon mein ghola jaaye’ from the 1970 Hindi film Prem Pujari:

Mix the youthfulness of flowers with these playful moments
And top the blend with some wine,
The intoxication that would result,
Is love.


He nods as she moves away from him and walks from haystack to haystack. Her stole falls on the golden pile and the camera zooms on it to pan to Dev Anand who waits with a smile. She hides her face behind the sensual chiffon cloth and then drops it, Dev Anand catches it. Without the drape covering her slender body, with the feeling of freedom that every young woman in new love feels, Waheeda begins to climb a haystack on a makeshift wooden ladder as she sings:


It was a laughing childhood; it’s a tempting season now,
If not dealt with carefully, it’s a ball of fire
If you touch it gently, it is dew (2)
In the village, in the fair, on the road or when you are alone:
The one you remember again and again,
Is your love.


Her beau throws the stole back to her, the fabric glides towards her, she catches it and flicks it on her shoulders with a laugh. Then she glides down the stack and is surprised that he is not in sight. He sings from his hiding place in hay and she bites a dry strand of grass while looking for him. But, she doesn’t look for long. As if she’s confident he’ll walk back to her, she rests on a stack. The camera zooms to the red heels she dangles, then we can see her man walking towards her. He comes close, she doesn’t mind the proximity. He tells her how beautiful she is:

Gold melts in your complexion,
Nectar oozes out of your body as if
A note is being softly played at night,
The one who waits for you in the sun, in the shade or in the dancing winds,
That is your love.


Butterflies fly out of the net in a whirlpool of air and flutter by the lovers. They then run in the fields. She almost stumbles once, and that adds to the romantic simplicity of the visuals. They celebrate their love again:

If I remember him, my loneliness vanishes,
It feels like someone has started playing the wedding flute in a desolate town,
The pride that doesn’t fade whether you are uphill, downhill; any time of the being,
That is love.


‘Shokhiyon mein ghola jaaye’ penned by Majrooh Sultanpuri blends innocence with longing and intense courtship with playful patience: something almost extinct in these days of speed-dating.

A diva of romance and with a career as an actor, director and producer spanning close to 60 years, Dev Anand died at the age of 88 in December 2011. He still makes hearts flutter. Kishore Kumar’s voice complements Anand’s charisma well, the playback singer had a knack for matching his voice with the persona of all the screen characters he sang for. Kumar developed his own distinctive style of yodeling, blending classical notes with the funky, the mischievous and the sensual as and when it called for. His greatest hits were with music directors Sachin Dev Burman, who also composed this song, and his son Rahul Dev Burman.

Waheeda Rehman (born 1936) has aged gracefully. She still plays character roles, the more recent performance was in a film called Delhi 6. Lata Mangeshkar (born 1929) has sung 'Shokhiyon mein.' She still sings, her next song is for a film that is expected to be released in 2012.

-Gauri Gharpure
March 26, 2012

This was for John Bennet's magazine-writing assignment. Long shot, because the Indian dancing-round-the-trees routine seems very lame to the Western audience. That said, I adore this song and went ahead with the unusual choice. Also read this book review that I submitted as a backup.

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Monday, February 27, 2012

Raghubir Singh: Catching the Breeze*

Photo taken in Hathod village, Jaipur, Rajasthan

The first reaction is disbelief. It takes time to absorb the simple, delicious freedom in the backdrop of an impoverished Indian village. Two teens are touching the sky. A faithful old Neem tree and a trustworthy jute rope is all it takes to forget that they are women.

As they race against wind, their neighbors, siblings and friends find no novelty in the dizzying heights these women have reached. They look disinterested, as if they cannot determine what makes this trivial breather so interesting to a city man.

But this is as high as the two women swinging on the makeshift swing will perhaps go in their entire life. For Hathod, in Rajasthan, India, is a village where strict caste and class rules still apply. Someone else – the society, their husband, or their in-laws will soon begin to dictate the heights they can reach.

Raghubir Singh took this photo in 1975. The girls, from an assortment of ages between three to thirteen, perhaps even their young mothers, might have yearned to go to schools. Their parents might have entertained the idea for some time, too. But, in such villages, where Hindu women of certain castes are still expected to follow the purdah system, dropout rates are high.

There is no money to buy the books and the shoes, teachers don’t teach, schools have no functional toilets or water, or if everything is in place, the nearest high school may be miles away. Public transport is often undependable, certainly risky for young girls. They do give it a try though, some brave ones. Many daughters walk their way to school, their parents grudgingly, but not without some faint beam of pride, allow. But it doesn’t last long, this pursuit of the dream of a better life.

After months of juggling dreams with duties, girls give up. Because they no longer have the energy to cook, clean, milk the buffalo, and take care of their armies of siblings after coming home. These are the tasks girls cannot wash their hands off in a household with a single earning member. Or sometimes parents cannot afford to teach more kids at a time, and the privilege of education is then is given to the male children. But these women are lucky. At least they are alive.

The government and the citizens (often even well-educated, so-called modern families) systematically ignore India’s female feticide epidemic because of misplaced cultural preferences, socio-economic factors vote-bank politics and illiteracy. According to Census 2011, Rajasthan has a sex ratio of 926 girls between ages 0 to 6 for 1000 males in the same age group. India’s overall sex ratio is 940.

A Unicef report says fetal sex determination and sex selective abortion by unethical medical professionals has today grown into a Rs. 1,000 crore industry (US$ 244 million). The act that targets doctors and technicians who offer illegal ultrasound tests gathers dust in legal jargon, social connivance and corruption. Till May 2006, as many as 22 out of 35 states in India did not report a single violation of the act. (1)

While they were waiting for medical science to catch up, they devised other ways to kill their infant girls. My grandmother told me that in olden days, a euphemism was used to identify people who killed their newborn girls. Gujarati for “Doodh peeti kari,” roughly translates to “We started feeding her milk.” This essentially meant a newborn girl child was drowned in a big cauldron of milk.

In India, if a girl is lucky to be born, she becomes a woman sooner than in any other part of the world. Till then, they let her swing on a tree and touch the rainbow.

Gauri Gharpure

* This is another assignment for Michael Powell's class, Writing about life along the poverty line. I loved this homework, it was to select (or shoot) a photo of a neighbourhood / person / process and write about what emotions, ideas and issues the image evokes. This piece is my interpretation of the visuals, it is personal, and may be completely different from Singh's rationale for taking the photo, or being drawn to the scene.

Links and References:

1) The Preconception and Prenatal Diagnostic Techniques Act: UNICEF India: http://www.unicef.org/india/media_3285.htm
2) http://f56.net/kuenstler/raghubir-singh/raghubir-singh/
3) Raghubir Singh: http://en.wikipedia.org/wiki/Raghubir_Singh_%28photographer%29
4) International Humanist and Ethical Union: http://www.iheu.org/female-foeticide-in-india
5) Census 2011, India: http://www.census2011.co.in/states.php

Sunday, February 19, 2012

Clarence Page: Giants at J-School


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Clarence Page responded to the email within minutes and gave some suggestions for my notes. I have re-numbered the points he mentions in the email (excerpt below), but his message makes sense if read with the PDF.

Here is what Page said:

I'm back!
I read through your notes and congratulate you on your good job.
I would only make the following suggestions for clarity:

I would replace lines 10, 11 and 12 with this:

Politics is all perception, in that sense, all political speech is code. Liberals, for example, like to speak of “have’s and have-nots.” But the conservative governor of Indiana told the nation, in his State of the Union address, that America is “a country of haves and soon-to-haves.” The nuances of difference speak to their different perceptions of opportunity in this country and what government’s role should be --or not be—in reducing income inequality *..........
......... Let me know if you have any other questions and, please, enjoy your weekend!
Best,
CP*


How can you avoid marginalizing yourself, pigeon-holing in a certain niche?

1) Try different things. For example, I wrote a lot of obits. Obits have the essence of everything and you have the last word! Get the name right, get the age right
2) Once you are recognized as good, you have very good chance of not being pigeon-holed
3) Then you have a platform, start writing about politics, social change, then move to Op-Ed
4) When I started out on general assignment, I really wanted to be an entertainment writer. For a year in my early days, I covered the religion beat by day and reviewed rock music concerts at night. I used to say that I was the only “rock-and-religion reporter in Chicago.”
5) Always be curious, always be ready to see

*Point 4 above is in Page's words, as sent in the email.

How important is it for a reporter to be an extrovert? Or can an introvert be a good journalist? I asked this question :)

Like anything else in life, like cliff diving, with journalism, know your own capabilities. We had an excellent reporter. She was not just an introvert, she was timid. She once went to cover a story on elephants in the circus. And in all the photos, she was visibly scared. She wrote a story about how difficult the assignment was for her. But the editors wanted something fun. They asked, “Did you not enjoy at all?” “NO!” But she eventually wrote a happier story and we found a photo where she seemed to smile. She was never comfortable being a reporter, she hated talking to strangers, calling up people. But she was excellent. Eventually she asked to be moved to the desk and she’s doing great. So, it doesn’t hurt to be extrovert, but if you are not, be true to yourself.

Do not use photos, drawings or text on this blog without permission.

Wednesday, February 15, 2012

Saturday, February 04, 2012

A Walk in Harlem

The signal is red. The M 60 bus reaches the 116th & Broadway stop at 4:00 pm. It has three passengers, five more get in. Buzz-beep-slash: passengers swipe their Metro cards and find solitary seats. The driver’s belly droops over his belt. From behind his black goggles, he looks disinterestedly at those stepping in. A recorded female voice greets mechanically: “Thank you for riding the MTA.”

The bus takes a right turn off Amsterdam Avenue onto W 125 St . Outside the Harlem USA II Nails salon two black women stand smoking cigarettes. The shade of one’s jacket perfectly matches her brown highlights. The other is shorter, plump and wears a black jacket.

Are they poor?

But, poor men and women do not wear an identity badge. Poverty is a human reality that goes beyond color, race and time. The white man’s hunger is the same as the black man’s hunger.

The first sight on getting off the bus at W 125 St & Adam C Powell Blvd is a foot-long red signboard with “Pashmina” written in white all-caps. Below the sign hang red, green, black, navy blue, sky blue, rust, pink, zebra- and leopard-print shawls.

A sweet, fruity smell with the hint of strawberry and vanilla arises at the next stall. In old glass bottles that do not inspire much faith are synthetic fragrances with enchanting labels: Happy Women, Patchouli, Victoria’s Secret, Kush. Incense sticks are labeled Coco Mango, Mango Butter, Sandalwood and Tulasi.

“Nine-ninety-nine dollars,” says a man as his dark glasses fall low on his nose.

“Ten thousand. O good. She’s going for 30K," he says as he stares at the woman walking towards him. He sits on a square-iron fence that guards a barren tree outside the Diallo Cap store at 112 W, 125 St. But she sits instead of walking away, he's taken off guard. “It’s not safe to sit down, don’t you know wonderful? I am jealous of the girl. Sometimes you got to get the moves. Sometimes you got to take rest.”

He stands up leaning into his walking stick, uncomfortable with the woman’s silence and scribbling. He is wearing faded violet-blue pants, a thick jacket with a jean pocket stitched on the left arm, white gloves, gray cap, and a black bag hangs from his shoulders. He takes a short aimless walk but quickly returns to whisper, “You have to move, gorgeous.” As the woman gets up to go, he shouts a parting advice: “And don’t spend too much money!”

Walking sticks negotiate the busy footpath. Sounds of screeching tires, horns and music mix. A child stops to cough and resumes the tantrum, the sobbing. There’s a vacant lot at the corner of 125th & Lenox Ave. Near the fence, two women stand arguing.

“Fucking America. And nobody helps you in America,” says the older woman. The other is dressed in a black jacket with an intricate golden design and a black purse with similar gold work. Her hair is elaborately braided and tied back. The stud in her nose sparkles as she shouts, “Mom! You got the right papers … Listen … I will go to the church …”

A short old woman in a woolen brown cap stands outside a store. She wears a thick grey coat from which only the florescent orange hem of her dress is visible, thin skin-colored stockings and black shoes. She has a white tote bag painted with the stars and stripes of America.

A man in a Quantum A 4000 wheelchair tears open the plastic wrap and bites an orange candy stick. One leg is amputated at the knee, the other at the ankle. The ends of his cream pants are cut and tied up. An old paper tag that reads 11-10-11 is tied to the wheelchair. Near his hands he has hung a white plastic bag that contains a bottle of Coke.

Two men can be heard cursing from far away. As they come near the wheelchair, one of them shouts, “Shut the fuck up.” “I will call the police,” says the other. They walk away only to return quickly, still shouting and cursing with the same intensity.

The return journey is on foot.

The pleasant smell of cleaning detergent splashes outside the windows of the Outside Avenue store. A tall black man in a red sweatshirt diligently pushes a yellow trolley containing the cleaning liquid and mops. He walks with a slight limp in his right leg.

Near the same fence where the mother and daughter were arguing, now walks a blind man obeying his red-tipped walking stick. On the opposite side of the street, a man dressed in an ocean-blue robe and a hat that mimics the crown of the Statue of Liberty distributes pamphlets and shouts, “Taxes, taxes.”

The man with faded violet-blue jeans looks up again from the corner of his dark glasses and smiles, “O, she’s back!” The same strawberry-vanilla smell returns. The same shawls, the same people…

Are they poor?

-Gauri Gharpure

* This is the first assignment for Michael Powell's seminar "Writing about People Along the Poverty Line." It was a very fruitful experience in that that we were not allowed to talk with anyone while working on the piece. All energy spent in observation brought out much more than what is usually got in the hurry to ask questions and note down replies.

Tuesday, January 10, 2012

Hola!

A tad late. But, as with everything else, I take my own time...


And while I was making this, I remembered this post.

May each one of us find ourselves better than we are now in 2013.

Love and luck!

Saturday, November 05, 2011

Yellow leaves

Yellow leaves; their edges cut by zig-zag magic scissors
by a child idle on an afternoon holiday.
Yellow fall on green lawn:
Like hope discarded, like love gone.

Windows fuzzy with cold memories
of sunny faraway morns witness
the flight of orange-yellow leaves
that swirl and tango their last dance.

-GG

Monday, September 19, 2011

Update from home: Lali is not well

When you run to welcome me home, sometimes I feel I need no other love in this world.

I had tweeted this about Lali.

She is one of the four dogs that we raised. Born in November 2002, the litter came under our care, when their mother, whom I called Jhingy, suddenly died. They were a month old then. Lali is the most loyal, her territory remains our house and she guards it against, mostly, the postman and the sweeper.

It is Indiraben, who became a part of our family when I was about six months of age, who lovingly and possessively tends to all our pets. On the night of September 10, Indiraben came to my father, very worried, and said she had not seen Lali for the entire day. Unusual, scary. They tried to look around all over the society, but did not find her.

Early next morning, Lali's siblings Dholu and Sheeba literally dragged Indiraben to a locked plot in the society. There we found Lali: weak, frightened. She's old now and couldn't jump the high walls. Baba got keys to the lock from the society secretary, but it was rusted. The guards then broke the lock. Lali came out to hug Indiraben and Baba.

In recent emails, Baba says how Lali is still in a shock. She has given up barking with gusto as she used to. She only wimps and cries, eats less and seldom leaves our compound. Baba thinks she climbed up a car and jumped into the plot, falling on her face. She has some injuries near the jaw. She runs at the sight of medicine and Baba and Indiraben are too old for the hide-and-seek routine I dealt with. I hope she gets better soon. My family depends on these kids more than we admit or realize. Home would not be home without them...

Saturday, September 10, 2011

Janmashtami Celebrations at Iskcon Brooklyn

Audio postcard of Janmashtami celebration at Iskcon, 305 Schermerhorn Street, Brooklyn

Gharpure AudioPostcard finalfinal 0823 by Gauri

Wednesday, August 24, 2011

Audio profile of a New York street-seller

This is my first audio project.

Being in a different country, a different climate and among people who speak the same language with a different accent, reporting is not the same. Sometimes it takes nothing to approach people and talk to them, sometimes you get cold feet and just can't talk. As I was walking in Harlem scouting for my subject after an unsuccessful recording with an African woman at a hair-braiding saloon, I saw Sean Shawney. He smiled at me and asked if I would buy his tee shirts, pins. The spread looked interesting and we started talking. I found my subject.

Gharpure Audioprofile 0818 Final by Gauri

Shawney's spread of pins. Figures of African leaders and artists



And this is what I bought:



PS

Something about the process:

We had to make a two-minute profile of any person. The process included transcribing the audio, then picking out portions (called actualities) to include in the tape, and to write a narration. Then, in the lab I selected parts of sentences and edited some actualities using Final Cut Pro. Also recorded the narration. The audio levels are high, forgot to adjust. In September, will learn to use Pro Tools for the Audio Storytelling elective that I have taken. After what we learned for the audio slideshow class, I will also try to take more horizontal shots from now on. Indeed, that makes optimum use of visible space.

Sunday, August 21, 2011

A new country welcomes me

An update: I earned the Fulbright scholarship and am now studying journalism at my dream school: Columbia University, Graduate School of Journalism, in the city of New York.

It's humbling how many "dream" milestones God granted in 2011.

I assume I shall be hard-pressed for time as the semester rolls on, but this blog is too dear a place to let it remain quiet.

See you with more posts, more musings. And soon!

Saturday, May 28, 2011

My best friend's wedding

It's a morning of hope.
As I look back, I see her
in Jr-Kg group photo:
Two thick plaits, kohl-smeared eyes, a huge grin.

I remember the times we laughed to tears,
Her signature eccentric quips
That gave a whacky perspective
To many a life-changing things...

Tomorrow, you will be gone:
Mrs. doesn't sound as fancy as Ms.
But I know you will live it all up
In your flamboyant, who-cares style.

Remember me even as you get engrossed
in the journey ahead, let it be fruitful.
When you look back, I will always be there;
And it's only old friends who can call a spade a spade.

For S.

Sunday, May 15, 2011

And all shall pass

When the storm subsides
And the wind stops howling,
Listen to the silence;
It will speak to you.

Hang in there just some more,
This too shall pass.
The fear will fade;
You are brave.

When love restores your faith,
And trust births in you again;
He will absolve you of all
That now crowds your guilt.

Some more faith,
Some more love,
And all shall pass.
And all shall pass.

-Gauri Gharpure
May 15, 2011

Tuesday, May 03, 2011

Golya Cha Sambhar / Maharashtrian cuisine

I wanted to learn how to make this gravy since long. My aaji makes it sometimes, and today, I saw the recipe on a cookery show and decided to finally try it.


Golya cha sambhar consists of small, round dumplings made from chick-pea flour, lots of spices and tamarind or lemon for the tang. We add some jaggery too, but some prefer it completely hot.

Ingredients and method to make the dumplings:
About 4 cups besan (I assume it's chickpea flour in English. A friend is convinced I call it gram flour instead :)
1 cup of finely chopped onions
Finely-chopped coriander (optional)
1 tablespoon oil
Generous amounts of red chilli powder, dhana-jeeru powder, salt. And a pinch of turmeric, asafoetida, sugar.

Adding very little water, make dough using the above ingredients. Then, make small round dumplings as shown in the photo. Keep aside.

Ingredients and method to make the gravy:
1 cup finely-chopped onion
2-3 tablespoon grated fresh or dry coconut (I used dried coconut)
Oil, pinch of mustard seeds, cumin, turmeric, asafoetida, raw green chillies for tadka
Goda masala (A typical maharashtrian garam masala, easily found in Pune / Mumbai)
Coarsely-crushed black pepper
A lemon-sized ball of tamarind, soaked for sometime. Use the extract.
1 tablespoon jaggery (Optional)
About 700 ml water (Adjust depending on the number of dumplings you have made)
Chickpea flour to adjust consistency of the gravy. Use as required.

Method:
Heat oil in a heavy-bottomed pan. Add the ingredients mentioned for the tadka, in that order, and then add chopped onions. Saute for a minute or two and add grated coconut. Saute for about five minutes, or till coconut turns slightly brown. Add goda masala, dhana-jeeru powder, red chilli powder. Add water and bring to boil.

Add the chickpea dumplings to the boiling water and cover the vessel with a lid. Put some water on the lid so that the dumplings are steamed faster. It will take about 15 minutes for the dumplings to cook. The dough should be tight, otherwise dumplings may break apart when added to water.

Add a tablespoon of chickpea flour to the gravy is required. (On my first attempt, the gravy became a little more dense than is required, but tasted just fine) When the dumplings get cooked, they float above. Now, add tamarind paste, jaggery, salt and black pepper. Adjust spices as required. Let the gravy boil over once and switch off the gas. Garnish with finely-chopped coriander.


1) Golya cha sambhar 2) Apple, grape and walnut salad in fresh cream 3) Mango pickle 4) Tomato aam-papad chutney

While eating, crush the dumplings with you fingers and eat with rice. Also goes well with chapati / bhakhri.

Saturday, April 23, 2011

A Punch on the Left

So you talked about equality, Sir;
As you puffed that cigarette in roundabout whirls.
So you talked about the hungry, abused and the oppressed, Sir;
As your wife fried bhetki after bhetki*.

You snubbed her right in front of your comrades
For you insisted "Women must know their place."
So much for equality and social rights, Ha!
Your woman has lost her voice...

Your arrogance was pungent and sorry,
But your comrades perfectly understood the necessary dominance,
They nodded as you commanded your wife back in the kitchen,
She retreated hurt and hounded, sought solace in her sacred space.

Sir, your hypocrisy is shocking, your doublespeak commendable:
How beautifully chauvinism and culture blends in your town
How intriguing is your politics, how stinking is its stink,
Orwell was right when he conceived the idea of doublethink.

How about first bringing the revolution
you propose for the landless and the needy
within the precincts of your feudal patriarchal regime?
How about letting your wife vomit the words she has eaten up all her life?

So much for your suffocating talks of ideals and equality,
So much for your sham of decency and morality;
You can fool a thousand others who think like you,
But you cannot fool a million others who will still see through.

So much for what is gone,
So much for what is left.
As the ballots are counted, manipulated, maligned,
I just have this to say:

I don't understand politics, but I was brought up in equality;
As a woman, I am disappointed in the way you live your ideology.
Don't try it on me, your wife you could snub;
But I am made of stronger stuff.

West Bengal socio-politics.

*Bhetki : An expensive freshwater fish popular in West Bengal and Eastern regions of India

Related articles : And I am thrilled

The Good Governance

Remembering Bhagat Singh and Tagore's Tota Kahini

Tuesday, April 05, 2011

Why the goodies? Do not demean Team India's feat

Cricket and me? Indifferent. The World Cup did wake me up and I did try to infuse some enthusiasm, the 2-3 matches that I saw were fun, but frankly, I do not understand or appreciate the hype that surrounds the 11 men all the year round, year after year.

I read a post in which a friend justifies her indignation when she hears the cynics whisper that the match was fixed. I would like to believe it was not: I was extremely angry the first time such an insinuation reached my ears. We Indians can be classic killjoys at most times.

But here, I wish to discuss how I resent the cartloads full of goodies that the government smothers the cricketers with at the slightest opportunity. I mean, nation's pride, desh ki shaan and all those passion-packed punchlines seem more advertorial-oriented than anything else. I remember getting annoyed and let down when Dhoni and Harbhajan skipped the ceremony at Rashtrapati Bhavan to accept their Padma Shree award around April 2009. I mean Hello??

I am upset for two reasons:

A)Why the largesse in the first place..

We may have a hundred other worthy sports and a hundred other sportsmen who are really good. But we are talking about Padma Shree and Padma Bhushans here, not cookies and candies! Kajol gets one, Madhuri gets one, even Saif gets one. I digress. Cricket, Dhoni and Bhajji: let them stay around for a while, a good two or three decades before conferring such honours!! Their callousness may just go on to show that the men really mean business, such hullabaloo of cash rewards and awards may be actually embarassing, irritating them too for all you know!

B) Talking about World Cup 2011. Team India did a brilliant job. Exactly. They were doing just that, their job. We are happy and proud and we love the men in blue, but the God-like reverence seems inane. It seems very cheap and unfair to other worthy professional sectors of our country: farmers, army, navy, police, healthcare workers, teachers and so on that need immediate attention and bureaucratic commitment to meet decades-old demands for better working conditions, easy loans, higher pays. It seems a fickle government that loses hold of its stoic to announce cash awards to the tune of crores, plots in prime locations the country over and a dozen other such lavish goodies to the cricketers at the flimsiest of opportunity possible.

For me, even the World Cup is a flimsy reason when it comes to crores and crores of "official" impromptu cash rewards. Would I be wrong to say that at least 0.0001% of the tax I pay shall go into their Audis and what not? Big money, luxury stuff for winning a match, rubbish I say. I cannot afford to be lavish with gifts for my own kin. I do not dispute for a second that the men-in-blue made us proud, we are happy and grateful, but are these bounties not taking things a bit too far? I have enough faith in Team India to believe they will play well, perhaps better, without these cheap gimmicks and political pull and push. Dhoni and his men earn crores by the way of commercials, let them. Do not commercialise their hard-earned game on the field.


And last question. Is money the only way to show your appreciation? Has India as a country grown so cheap and materialistic to equate appreciation with cash rewards? How can you announce such extravagant gifts on my behalf, me the tax-payer? Did you consult me? Minute as my stature be as the citizen of this country, I would like to believe my money matters and my opinion counts. How you disappoint me every time. Sorry Mr. Pawar and kin, but this largess stinks. And you, incidentally, also head the agriculture ministry. In this country getting a loan for buying an SUV is easier than getting a loan to buy seeds and fertilizers. How about less pricey onions and easy loans for farmers, Mr. Pawar?


-Gauri Gharpure

April 5, 2011

Monday, April 04, 2011

Gudi Padva wishes

Padvya Cha Hardik Shubhechha*

Happy New Year, here's wishing for a new year that is happier and more promising than what all the preceding years have brought in their totality. Now that's an ambitious wish! But I can wish and hope so much only because God has been giving and because I have faith in his unassuming, mysterious ways.

Hope to upload some photos towards the evening and edit this post. So drop back later if you can.

Wishes!

*Gudi Padva is when Maharashtrians celebrate their New Year.

Edited to add a few hours later:

This is what I made just after posting this.



Ghavlya chi kheer

I made these little vermicelli-like brown bits from dough made from flour and milk. These look somewhat like wheat grains, and so the name "ghavle". Ghav in Marathi and Gujarati means wheat.

Wonder what are those leaves there in the small dish? Neem leaves (Azadirachta indica).. We start our New Year day by eating this bitter leaf. Many people have these neem leaves / juice or paste for the entire month... Been a very strong tradition, and my grandmother offers no other fancy explanation other than "it's supposed to be good for health."